Physiologists study the different actions of light and color in our visual apparatus – the eyes and brain, and their anatomical connections and functions. In this study of the issues of adaptation to light and dark, chromatic vision occupies a very important place. In addition, the phenomenon of image retention also applies to obblasti physiology. Psychologists are interested in the problems of the influence of color light on our psyche and state of mind. Symbolism of colors, its subjective perception and a different attitude toward it are important, the key themes of psychologists, as well as expressive color effects, indicated by Goethe as his sensual and moral expression. Painters who wish to understand the aesthetic side effects of color must also have knowledge in the field of physiology and psychology of color.
However, in the art exists purely own area of color cognition. Most important for creating an artistic image have the relationship between color and true color action, between what is perceived by the eye, and that arises in the mind rights. Optical, emotional and spiritual manifestations of color in the art of painting are interrelated. Effects of varied effects of color and manage them should be the basis of aesthetic theory of color. When This problem of the subjective perception of color are especially important in art education, art history, arhitekturer for artists working in the field of advertising and fashion. Aesthetic aspects of the impact Color can be studied in three areas: sensory-optical (impressive), mental (expressive) and intellectual-symbolic (structural) is interesting to note that in pre-Columbian Peru, Tiahuanaco-style color wore a symbolic character, in Paracas-style – an expressive and Chimu-style, it was inherent impressionistichnost.